Thanks to its versatility, Palley can leave it attached to the Nikon body most of the time he’s in the field, which helps him keep the incredibly abrasive ash off his sensor. “It covers a moderate wide angle to decent telephoto, and I can shoot anything from landscape scenes to decent portraits with it,” he says. Palley says his go-to is a Nikon 24-70 AF-S VR f2.8 lens. “But it will be used for the long exposures at night, portrait work, and slower scenes.” The camera gear Palley hauls to a fire. “That camera isn’t going to get hauled up a fire line,” cautions Palley. Its photos can be scaled up to 40-by-60-inch art prints, but recently, he’s had demand from collectors for even bigger work, so has had to expand his camera to include a Phase One XF IQ4 150MP medium format camera. It’s big and bulky, but Palley says nothing else can match its combination of speed, image quality, and ruggedness. By night, he shoots long exposures of those fires for an ongoing art project he’s dubbed Terra Flamma. Forest Service, documenting wildfires and providing those photos to news outlets. By day, Stuart Palley works as a contract photographer for the U.S.
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